thepoetseyeisthepainterseye,andpaintingarybeeone.

ingproper.butthisaffinityisresponsibleforanotherpointin

uandliliatic

thisaffinitybetorenaturalandapparentwhen

foranautuse:severaldotsofhillsoverthewall.

works:

lkyhenpaintiogetheronafiatsurface.thusliuyuhsi772842

ilarityofteilarityofthes,

firstthehillsinthepainting,

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e:

onlybefoundountainges,f,afterthepreviousnightsrainfall,

inanycase,thepaierfinishinghispaintingusuallyesaverseatthetopin

exactheinal;butexaausesutiveissorareand

toev

pressionisticteique.itisateiquehgivesa

uandiheartofsublition,suggestion

thehills.inthissense,an

thepictureteiquehereisperfect:thehilltopsappearingasseveral”dots”overthe

indefinablefeelingbehind,hereaderssedoesnotsatisfyhis

seriesofiressions,vividandunfettable,andleavesrelyaflavour,an

aseriesofetreesinthe

thenthepaintinginthehills.

tosetitoffagainsttheobjethedistanlouds,ades,hilltopsandthe

andthefasoverse.

fround,thereadergainsaclearperspectiveotherpossible.ashthe

andartisticrestraint.thepoetdoesnottrytosayallhehastosay.hisbusinessisbut

forrexalefroipo,theartliesintheseleofainthefround

ofurse,itrequiresalittleefforttoigine”springsoops”he

thosevaorelateronwhen

andabovethetreesahundredsprings.