or,inoneofhisbestknos,drink

hillside,hjustasiage,halldoorsclosedandasolitarypeachtreein

hereetyistheuntrypalace,etylikeadreainlonelinessandquietthered

taphors,like”idleflohesadhechafingsparroc.the

thelastandstiortantpointistheiofnaturalobje

regret.

threelelonggayandgreenoas”heartless”becausetheydid

etiohesotiontoliveand

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houtoingintothedetailsoftheirdisurse:

lateattipassedtheverdanthills,

ihedecayoftheblae

nonpeopleshos梬ithouttheirknowing.

aotions,notbydirectpersonificationbutbying

e.

noheredsparroing,

hisnotebook:

attitude,isextrelyninallgoodesepoetry.so,forinstance,didlipo

iedpalace,

onluded

ierialflo.soberidsarechatting.

eofthegreatilies:

not,astheyoughtto,reerhoudsharethepoetsfeelingofpoignant

isachieved,then,isapoeticfeelingforthepeachtree,supposedtobecapable

fullblossotandingidlyinfront,apparentlyingitsfragrantgloryoed

valley.istillreerthelasttyfriechedin

andontheblackgoheevningsunisglowing,

taphorsintheelvesarenothing:thepoetrynsistsispreadinghis

thefarrupletothefieldshavegone,

andtheshewangandhsiehhalls,

beginoneofhisbestpoe:

sharehisople,he

aainonfolloeho

anddeadboredaretheflosideitsdoors.

ofbeing”bored”todeath,.thesateique,orrather