bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

inanythioftheeseartistid.

field,everyvarietyofrhythasbeeeduponaypeofstructure

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realisethatthesee.”

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

itseetothatand

fotten,andthelinesandforareappreselves.inthis

andforandithasdoneso

sihofthehorse,

aesthetiisticipleaybe

sotiseveyinslouessularity.thustheartofcalligraphy

distinguishhielfbyaructure,therefore,incalligraphy,if

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

basesofesenotionsofbeauty.

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

position,standsiiontopaintingaspuretheticsstandsiionto

therefore,theairedevotiontopurefors

fundantalstrokesofing.ifthereisohis,hewill

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

stfruitfulofresultsoodandapplied.asstated,ese

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

hasbeenexplored.theientpossible,andtheeseters,heoretically

byderivingitsartistinature,espeals梩

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

fpaintii

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

asthisarthasahistoryofhousandyears,andaseveryertriedto

hebranflohafehespringing

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

such,asapartfrotent.apaintinghastonveya,butaten

providesasofaesthetiiationayhe

strusustsolveforhielf.thus,through

...

certaintypes,suchastheyularityorofaforevertoppling

cultivationandappreciationofpureposition,

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

engineeringorastrono.inappreciatingesecalligraphy,theaniirely