givingusonlyapletelysatisfying

enoofterial,rkedbythenyblankspaces,anideaofposition

本章尚未读完,请击下一页继续阅读---->>>

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

abletoessquare,inlinesandfortrulyhyofthe

spirit.

hewillbe

iii.painting

naofanart.

nn.itoachievea

ishardtograspandexpress.ithasaosphere,visibleine

abletheprinesecalligraphy.thesebasic

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

esepainting,thefloure,isdistinguishedbyaspiritandan

thepointsofntrastarationeasiertotradhatthe

sandstructuresofesearture,weshallbe

atsphereallitso

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

nner.sohohepicturebeforeushasundergoneaninnerprocessof

painting,butessentiallydifferentandachievedbydifferentans.itshoain

boldnessandfreedofthebrushpresstheonlookerinanunfettable

transfortioniistsnd,shoofitsirrelevasdisharnies,and

poetry,painting,arture,porcelainandhousederations,aialunityof

artisthasinterferedaterialrealityaedittousonlyasitappearsto

thefullsignifialligraphyasthebasisofeseaestheticswillbe

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

seeninastudyofesepaintingandarture.inthelinesandpositionof

odeepainting,and

epoetry.thatdifference