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landscapesofthesouthesertaininfluenalligraphy.first,ohe

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

treeohesaprincipleoftingusedineseings.tungchig

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

said:”anticbrush,

treesthehesealter.forthisisasecretleftusbyghao

lishu,andthearript.”oneseesalsointheholloherocksa

dehesati”rontid”thespiritoftherecluse.”itisthisquality

oneevenobiletongue,dippedininkandligthepaperashedra\vs

thisplayingodatsforacertainqualityofesepainting,calledyi.the

sicstrokes.iinglihepine

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

hollohetreofthestrokes,aheenthe

oflightheartedandinguisheslipospoetry.thisyi

fugitivespiriti.doicarehertheyareexactoot,herthe

ngelsewas

offeurecraftsnship.

andnizesfurtherinthesileunityofdesignofesepaintingsth

aybeusedto

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

oneshherefore,ineseinkdraanfiguresand

shenpo.ifthespaybesaed,as

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

notinteopyreality,butrelytopleaseself”

principle,forproperspagistheveryfirstlaatedbypao

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saidthat”,theyshouldapplythelaherunningscript,the

ybeseeninyiiyujensatterineseingifthe

ngfuhielf.further,theartistiportantcalligraphic

ntouroftheterisurical,butispagisanunfivable

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

hunspirittogetathedru

thisdesireisuandableuholarsspiritwas

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

saidaboutpaintihateverylineshouldtallalong,andhihsaid

along,paintingillis,thesreation.

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

typeofsalledfeipo,any