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第100节(2/2)

theorythat”thenustpreaterial

birdsheboatsuggeststhattheboatanbeingswere

ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

andhiddeninthatgrove,onlyashopsignbearingtheter”no

silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

exanationsinpaintinguheierialbureauofpainting,his

buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

nceiveapoetiception.inthesungdynasty,petitive

intheriodepainter,sickofpaintiy,ryto

selves,sin.

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thatthebestnes

startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe

sinaryiortahegreatestpainsstbetakento

peratesthroughachaagneglassthatrestsonaahathides

picturehisfeelingofsilenddesolationbydrawinga

thepoethadalreadyusedthethodofsuggestioninnveyisphereof

igination.anothersubjectgivenweiing:

picture,theirobjectistonveyaunifiedioo

hepaintiionthatisteristic

baoosverahebridge.

atthedesertedferry,aboatdriftsacrossbyitself.

orstriedtorateonthehetreofthepicture.

goldenan.theiriressionissthereforeahuniressionisinpaintinga

about.

birdrestingo,andanotheroneabouttoperit.thepresehe

nsioninthebackground,aidpeepingout

includeandtoleaveout,resultingintheffunglingquality.

wasaline:

andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

thereosphereofluxury

lltheiriy,theeseartistsarenotabletoprodufreaksto

...

theyreerthattheyarepaintingforfelloanbeingsandtheions

ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

suggest.buthebleofasaxophohatgically

uhreequartersofatrazesoverthefunnelsofa

reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

therean,hoboogrovebyitsside,

gunardli.theeseiressionistpainted,hoh

all.andthispicturehehe

stbehunlyintelligibletoothers.theyarerestraihedoeofthe

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