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第101节(2/2)

hespiritofthethingsasitisinstilledintohissoul,and

theisdesubservienttothe

anbody,espealebody,seetotobethest

singularteristifostsingularntrastbethineseand

saatsphereandthesafeelingfoature,butirayalofhunfor,

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

notthebeautiesoftheirbodiesbutthelihehehis

eartisthedifferehesourceofinspiratioselfforthe

vienneseporeoftheirfriendshavepreseheorchrists,

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

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arestilluoreheelvestothefaivilizationrequires

recreateforusapicture,”surchargedoodsandfeelings,evergingand

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

felefigurecalled”ion.”thereisstilltodayalargeproportionof

englishandarisocietyuresintheirflatsby

notraalefest,

ight,likeyiijen,giveusalandscapeof

ihegeneralistnessoftheatsphere,or,like

lingistsherodenlethetrees,

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

eastandthefeleforortheindasbeingre

ther”abovetheirntelpiedutelatea

gongpilesofksandbrushwood

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

bathinggirlshouldbedetorepreseeer.”todaynyese

theygenerallybanishtheaionbycallihings

andthisgeneralrhythalldetailstenandonlythetralinood

dofnature.thebestofelandscapes,likerots3giveusthe

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

forofnature.ifthereisanyapprealehunforssuch,wesee

...

eetagain

niyiinligiveusapindesolation,htheuntryastretch

”art,”andtheonesadethen”cr

sayingthattheroosrentedfuished,andknotodoha

ursetherearealsonyeersy

te,beforeoneleaeventhefirstessentialsofpainting.of

nature.heshouldousthebeofthatnionofnature,and

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